How Can It Be
Theology & Meaning
Drawing on 2 Corinthians 5:17's 'new creation' language and the Ezekiel 36:26 heart-transformation promise, this song expresses the astonishment of the transformed sinner — the 'how can it be' of John Wesley's famous hymn inverted into contemporary expression. The grace described is not merely pardon (forgiveness of past sins) but genuine ontological transformation: the heart of stone becomes a heart of flesh, the prisoner is released, beauty replaces ashes (Isaiah 61:3). Lauren Daigle's song inhabits the same theological territory as 'And Can It Be' — the paradox of divine love reaching into darkness and producing genuine new life — but in a contemporary idiom accessible to a new generation.
Worship Leadership Tips
Works powerfully as a testimony of transformation — use at baptism services, salvation celebration moments, or as a response song following a message on new creation or grace. The building structure invites a congregation to inhabit the wonder of transformation alongside the singer rather than observing from a distance. This song works most effectively when preceded by brief pastoral or teaching context that frames its theological themes. Help the congregation understand not just the lyrics but the biblical foundation and pastoral application. Consider using in services aligned with the song's thematic content — whether a sermon series, prayer ministry focus, or seasonal emphasis. Allow sufficient time for congregants to engage genuinely with the song's message rather than rushing through. The song's power depends on authentic participation, not perfected performance. Avoid leading with energy that overshadows the theological content; instead, prioritize clarity and intentionality. Follow with space for prayer, reflection, or testimony. In many cases, this song functions best not as opener but as central moment in worship where the congregation can engage deeply with its themes through music.
Arrangement Tips
Contemporary pop-worship with a building arc. The key of C is accessible and warm for congregational voices. Begin with piano alone or piano and acoustic guitar, add full band entering on the second chorus. The bridge's declarations should arrive with full-band energy before a final quieter iteration of the chorus creates a reflective landing point. Tempo management is crucial — the moderate tempo of this song (78 bpm) should be maintained consistently throughout to preserve the intended emotional landscape. Consider instrumentation choices that serve the song's content: sparse arrangements allow lyrical clarity and theological weight to land, while fuller arrangements create emotional resonance through texture and layering rather than pure volume or complexity. Dynamics are more important than decibels. A song about intimacy with God should not be loud; a song about cosmic praise can build energy through added instrumentation rather than volume. In every arrangement choice, ask: "Does this serve the song's message or distract from it?" Test arrangements with different configurations — what works for a contemporary rock band may differ from what serves an acoustic or liturgical setting. The most effective versions prioritize the song's theological and emotional content over impressive musicianship. Build dynamic curves that match the lyrical narrative rather than generic energy trajectories. Lead musicians should understand the song's pastoral purpose so arrangement choices serve that purpose. Rehearse with attention to how instrumental parts support rather than overwhelm vocal clarity. The goal is ultimately transparency that allows the congregation's worship focus to rest on God, not on the musicianship.
Scripture References
- 2 Corinthians 5:17
- Romans 6:14
- Ezekiel 36:26
- Isaiah 61:3
- Psalm 40:2