Holy Is the Lord
by Chris Tomlin
Theology & Meaning
Holy Is the Lord by Chris Tomlin and Louie Giglio is a contemporary Trisagion — a setting of the seraphic declaration of Isaiah 6:3 into a high-energy congregational anthem. The theological claim of Isaiah 6:3 is cosmic: 'the whole earth is full of his glory.' This is not a liturgical claim about worship services but a cosmological statement about the present, actual condition of creation — the glory of the holy God permeates every square inch of the earth whether acknowledged or not. The song invites the congregation to vocally join what is already universally and objectively true. Habakkuk 3:3's 'his glory covered the heavens and his praise filled the earth' provides the parallel statement of cosmic divine presence. The 'rising up' language in the chorus draws on Revelation 12:10's 'now has come the kingdom of our God' — the gathering of God's people in worship is an eschatological sign of the coming universal acknowledgment. Psalm 24:7-10's 'lift up your heads, O gates, that the King of Glory may come in' provides the processional theology: the holy God approaches, and creation responds with opening and welcoming. The driving tempo translates Isaiah's throne-room vision into a physically energized congregational response.
Worship Leadership Tips
This song works powerfully as a service opener or closer. Its accessibility and driving tempo make it ideal for large gatherings. The theology is compressed but profound — brief unpacking of 'the whole earth is full of his glory' enriches congregational engagement. Works on any occasion where declaring God's universal holiness is the pastoral need: ordinations, conferences, Pentecost Sunday. This song works most effectively when preceded by brief pastoral or teaching context that frames its theological themes. Help the congregation understand not just the lyrics but the biblical foundation and pastoral application. Consider using in services aligned with the song's thematic content — whether a sermon series, prayer ministry focus, or seasonal emphasis. Allow sufficient time for congregants to engage genuinely with the song's message rather than rushing through. The song's power depends on authentic participation, not perfected performance. Avoid leading with energy that overshadows the theological content; instead, prioritize clarity and intentionality. Follow with space for prayer, reflection, or testimony. In many cases, this song functions best not as opener but as central moment in worship where the congregation can engage deeply with its themes through music.
Arrangement Tips
Full band from the start with driving rhythm. Strong electric guitar provides energy throughout. Keep the dynamic high across the song with variation in texture rather than volume. The bridge 'it is rising up' can sustain in repetition as congregational momentum builds. A key change for the final chorus is appropriate for large-scale worship events. Stacked backing vocals on the chorus create the anthem quality. Tempo management is crucial — the uptempo tempo of this song (135 bpm) should be maintained consistently throughout to preserve the intended emotional landscape. Consider instrumentation choices that serve the song's content: sparse arrangements allow lyrical clarity and theological weight to land, while fuller arrangements create emotional resonance through texture and layering rather than pure volume or complexity. Dynamics are more important than decibels. A song about intimacy with God should not be loud; a song about cosmic praise can build energy through added instrumentation rather than volume. In every arrangement choice, ask: "Does this serve the song's message or distract from it?" Test arrangements with different configurations — what works for a contemporary rock band may differ from what serves an acoustic or liturgical setting. The most effective versions prioritize the song's theological and emotional content over impressive musicianship. Build dynamic curves that match the lyrical narrative rather than generic energy trajectories. Lead musicians should understand the song's pastoral purpose so arrangement choices serve that purpose. Rehearse with attention to how instrumental parts support rather than overwhelm vocal clarity. The goal is ultimately transparency that allows the congregation's worship focus to rest on God, not on the musicianship.
Scripture References
- Isaiah 6:3
- Revelation 4:8
- Psalm 24:7-10
- Habakkuk 3:3
- Numbers 14:21